Friday, May 11, 2018

Prague's BookWorld fair welcomes record number of exhibitors

http://praguemonitor.com/2018/05/11/pragues-bookworld-fair-welcomes-record-number-exhibitors

Prague Daily Monitor

Saturday, April 28, 2018

Irish director invited to Cannes to meet producers By Cahir O'Doherty

Photo Credit: Imelda O'Reilly
www.imeldaoreilly.com

Irish writer and director Imelda O'Reilly has just been invited to the Cannes Film Festival where her latest project We're The Kids In America has been selected for development by the Cinefondation Atelier program

The invitation will allow O'Reilly to showcase her projects to producers and potential funding partners. We shouldn't be surprised. Ireland is having a major film moment, with writers, actors and directors making big waves world wide – to say nothing of the sought after location scenery - and the interest just seems to keep on growing. This week the Kildare born, New York based writer and director heard the welcome news that her latest film, We're The Kids In America, has been picked up for development in the Cinefondation Atelier program which runs as part of the Cannes Film Festival. Established back in 2005 with the aim of encouraging new films and fostering a new generation of filmmakers by helping them to secure necessary funding, to date the Atelier program has introduced 202 projects, of which 145 have already been completed and 28 are currently in pre-production. It's success rate stands at an impressive eighty percent for new features, in other words. Those are encouraging odds for the Irish writer and director. “The feature length screenplay of We're The Kids Of America is based on my short film Eggs and Soldiers (which has already played at forty seven different festivals across nine different countries). It has been accepted to the Cinefondation Atelier, part of the Cannes Film Festival, they accept 15 films internationally and I will representing Ireland in the competition this year. O'Reilly's new feature length screenplay is about three generations of Irish father's and son's. It's set in Ireland in 1950's, Ireland in the 1980's and then New York in the present day, exploring classic Irish themes of identity, exile and in this case abuse in relationship to the legacy of colonization. If she were to describe the film in one word she would say it is about culpability, O'Reilly says. “It's a relevant theme to today's world with the Me Too movement and the question of culpability has an Irish context. In terms of issues being handed down from generation to generation, Ireland still has a long way to go. There's a lot of great storytelling that's coming out of Ireland now and hopefully our generation will tackle thorny issues that have previously been ignored.” O'Reilly is currently working as an assistant professor at James Madison University after teaching at NYU Singapore in their graduate program for three years. “I teach screen writing and film aesthetics and directing down here in Virginia at the moment,” she says. Getting selected for the Cinefondation Atelier program is a big deal, but O'Reilly underplays it. “I think I'm the first Irishwoman to be selected for it. They basically endorse your project and set up meetings with producers for an international co-production. Eighty percent of the projects that go through this process get funded.” O'Reilly has the legendary Barbara De Fina attached as a co-producer for We're The Kids In America (Martin Scorsese's ex-wife and the name behind films like Goodfellas, Casino, The Color of Money, Kundun, The Last Temptation of Christ and The Grifters). “I'm looking for a European co-producer next, so I'm looking forward to the program,” O'Reilly concludes. Irish Central

Friday, April 27, 2018

Mona Lisa

Photo Credit: Mona Lisa/Louvre/Libby Sonnet
Mona Lisa at Louvre Paris

Wednesday, April 25, 2018

Germany to give additional €1 billion in aid to Syria

Photo Credit: Euro Symbol-EU Flag/
www.shutterstock.com
German Foreign Minister Heiko Maas announced on Wednesday that Germany will donate an additional €1 billion ($1.22 billion) in aid to Syria and neighboring countries who are hosting Syrian refugees. "In Syria alone there are still more than 13 million people who are dependent on humanitarian aid," Maas said as he arrived in Brussels for a humanitarian aid drive for Syria. "We must not leave the people of Syria alone," he added. The Foreign Ministry announced that another €300 million could be tacked on to Germany's pledge once the German government finalizes its budget this summer. Alongside Germany's concerns over the "protection of the civilian population," Maas emphasized that Germany was "strongly committed to the effort" to restart the political process to resolve the conflict. During last year's United Nations aid drive for Syria, Germany was the largest donor and has contributed around €4.5 billion in aid to Syria since 2012. The UN hopes donors at this year's conference will surpass the $6 billion in emergency humanitarian aid that was pledged last year. The heads of UN agencies warned on Tuesday that only $2.3 billion have been received so far. rs/kms (dpa, Reuters) DW-Deutsche Welle